I like looking at a white wall. I like contemplating. I like when the thought finally arrives, unexpectedly.

Moving through those preverbal states where understanding forms before it has a name, my work focuses on how human perception works and on the existence of the human mind, its dependencies and vulnerability, its ephemeral, liminal spaces.

Rooted in a personal attachment to the theme, my process begins with observation or realisation and continues its life in the form of a metaphor, which I use as a cognitive tool, a way of tracing how the mind links one feeling to another, making my storytelling unfold in an associative way, rather than linearly, echoing the spontaneity of connections that may initially seem like a koan, but given time, all these rivers eventually fall into a common underground pool.

I like when a work feels like honey melting on your tongue, or like an apple after a minty toothpaste, something strangely sharp and tender at once, something you can’t quite explain, but you feel it.